No. 1, January 1895 .
Prothême by Albert Fleury . Images of Regret and Hope by Edmond Pilon . Onolâtrie by Leonce de Comte Larmande . For Lys Georges Pioch . For those that perpetuate the art by Georges Pioch . Theological aesthetics Grillot de Givry . Chronicle of art by Cipa. (32 pages in-8 grapes. 500 copies).
No. 2, February 1895 .
The Law Passed by Albert Fleury . Hands [poem] of New Germain. Sociology is a science? By Pierre Denis . A Good Offering by Georges Pioch . The Old Man Who were famous by Georges Pioch . The Coronation of the scaffold by Leonce Earl of Larmande . Chronicle of art by Cipa. Bulletin. (36 pages in-8 grapes. From 200 copies).
No. 3, March 1895 .
Salon de la Rose + Croix by Albert Fleury . Poetry by Edmond Pilon . Ad Occasum by Leonce Count of Larmande . Intimacy Great Men [Wagner] by Cyprian Godebski . Letter to the Archbishop of Paris by Grillot de Givry . Chronicle of art by Cipa. Exposures Count Aincourt . (32 pages in-8 grapes. From 200 copies).
No. 4, April 1895 .
The Book of the Sceptre Péladan Sar. Poetry by Georges Pioch . Intimacy Great Men by Cyprian Godebski . Horror posthumous Earl of Leonce Larmande . Son of faunas by Felix Hautfort . Patriotism in the art by Albert Fleury . Chronicle of art by Cipa. Bulletin. (36 pages in-8 grapes. From 200 copies).
No. 5, May 1895 .
Letter to the Poincare Péladan Sar. Poetry by Edmond Pilon . Intimacy Great Men by Cyprian Godebski . Two portraits [Paul Verlaine. Villiers de l'Isle-Adam] by Leonce Earl of Larmande . The Lover of flowers Georges Pioch . Solitude by Grillot de Givry . Parable Albert Fleury. Chronicle of art by Cipa. Bulletin. (36 pages in-8 grapes. From 200 copies).
No. 6, June 1895 .
The Notebooks of an Indifferent. Send it to by Albert Fleury . Lightning today Earl of Leonce Larmande . The intimacy of Great Men by Cyprian Godebski . Religion and Science by Grillot de Givry . The Salon des Champs-Elysees in 1895 by Albert Fleury . Chronicle of art by Cipa. Bulletin. (32 pages in-8 grapes. From 200 copies).
No. 7, July 1895 .
squib by Albert Fleury [on stopping the publication of an Indifferent Cahiers the journal] (1). The evolution of poetic Albert Fleury. The spin doctors of triremes by Edmond Pilon . The intimacy of Great Men by Cyprian Godebski . Impotence of Ryttho Margghi . Poet future denunciation by Georges Pioch . Bibliography by G. G . Bulletin. (36 pages in-8 grapes. From 200 copies).
No. 8 and 9, August-September 1895 .
Send it by returning Albert Fleury. Stroll through funeral Count Leonce of Larmande . The Trier by Emmanuel Delbousquet . The intimacy of Great Men by Cyprian Godebski . Poet future denunciation by Georges Pioch . Book by Louis Lambert . The Magazines. (32 pages in-8 grapes. From 200 copies).
No. 10, October 1895 .
About free verse by Albert Fleury . Pity the by Edmond Pilon . For Great Men by the grateful country Grillot de Givry . Dream Soul by Cipa. Poet denunciation future (continued) by Georges Pioch . Book by Louis Lambert . Bulletin. (32 pages 8vo grapes. From 150 copies)
No. 11, November 1895 .
Departure by Albert Fleury . Criticism of "Words to Her" [Albert Fleury] by Georges Pioch . The intimacy of Great Men by Cyprian Godebski . Poet denunciation future (end) by Georges Pioch . Art exhibitions by Henry Boucher . Book by Louis Lambert . Chronicle of art by Cipa. (32 pages 8vo grapes. From 150 copies)
No. 12, December 1895 .
Lettre de L'Indifferent. The Book of Lesbia by Georges Pioch . Memories of Naples Cyprian Godebski . Rogue Engineering Count by Leonce de Larmande . Poets lyrics by Charles Vellay . By Leo Albert Fleury . Book by Louis Lambert . Art exhibitions by Henry Boucher . Chronicle of art by Cipa. (32 pages 8vo grapes. From 150 copies)
Second Year, No. 13, from 1 to January 15, 1896 .
Paul Verlaine Albert Fleury. Poetry by Edmond Pilon . Squeezed by The Count of Leonce Larmande . Poetry by Georges Pioch . (20 pages 8vo grapes. From 150 copies)
Second Year, No. 13a, from 15 to 31 January 1896 .
Issue criticism: Books by Louis Lambert . Chronic drama by Georges Pioch . Art exhibition by Henri Boucher . Music column by Cipa. (16 pages in-8 grapes. From 150 copies). Merges with The Dream and the Idea on the common title Documents on Naturism .
(1) The Notebooks of an Indifferent will item published in The Renaissance Idealist. Before the flatness and the bourgeoisie of the era inept, the author rightly afraid of hurting a sheet with all the editors may seem as integral to the ideas, withdrew his manuscript of the revelation given to the latest in its sole name.The violence of some thoughts that should make responsible person who issues them. And respecting the indifference that many Burina His Word, I have the esteem and especially members of the Conciliation Committee for review. The reader will understand why so we can continue to offer Cahiers started, but nevertheless we allowed him to announce the immediate release, and it is our hope to be able to comment on the day wanted.Albert Fleury.
Before joining the tip of the pen, the group of Naturists he calls the "Annunciation", the name of the magazine of St Georges de BOUHELIER, "The Annunciation", Albert Fleury toured the chapels Literary and presents a new generation optimistic and faithful to the theories of art idealist
Prothême
In an era as little idealistic doctrines tending to this, we have seen, however, hatch hundreds of small circles all more or less on standardized landmarks pure and wonderful. There were the followers of Mallarme, Verlaine and those of those of Péladan came the Decadent, the Impressionists, the Symbolists, the Mystics, those who advocated free verse and those who drove more recently the Proclaimers (1). It is not today that we opinions on what it should be, and perhaps we would find many qualities in each chapel ignored, without believing in the eclecticism (the negation of art) must nevertheless recognize that every bit of beauty found even lost, in a work, and deserves respect veneration. At this moment, we confine our task to a simple and rapid review of current literature. Putting aside the journalism, literature boulevard outside, they we will talk about the latest schools, trends from near and far, toward the same goal, and have offered some interest. The
Parnassiens were great in one: Leconte de Lisle, who succeeded in hammering marmoreal cadences of the verses purest lyricism, and sometimes reached heights of intémérables verb. I need not speak of others without the talent of their master, they got entangled hyphenation expensive to Boileau and rhymes with rich expensive Banville, and gave not only empty reliefs, still stamped with a miniaturism academic. The school is dead and it's a fortune.
decadence we laugh, because Floupette was adorable, and it's more for us than a vague recollection of gigantic rods and spinning in the mist of pipes, amid breweries filthy they had elected to dens . These noble verbifieurs nuisance, who had decorated the title of shame, are now crumbling under the ridicule of their effort naive.
came the Proclaimers singing rhythmically in their charming new blades. In noble candor and vermilion, they project their souls, they mutter their ecstasies, and we must estimate the effort of St. George BOUHELIER.
Mallarme would present its rationale if Zola or Sarcey were still respected. Nevertheless, its harmony and sleepy lullaby knew comply with graceful rhythms milder waves inaccuracies; Mallarme, which sometimes makes one think of some Redon, is entitled to our respect. More
disputed Péladan, despite a vain gossip Tailhade made on him, despite the inane about breweries literary Péladan shines in his work. I have said elsewhere that he had to say (2). Frescoes remain as a monument to horror in their title as their motto. Then comes
Verlaine. The great Verlaine, who rocked our painful reveries by the reassurances of Wisdom , one whose sob ironic holiday sketch made many a gallant sad smile, the poet, died. His Epigrams attest. However, it was great los to him!
What else does all of this?
Nothing. Or less, scattered through some loose leaf here and there, flashes soon disappeared, young, ardent. - The horizon s'ensanglante; redness of twilight past are compounded by the candid and strong glimmers of hope undefeated because qu'inéprouvés. The yawning tomorrow wants his victims to a childhood which will bloom soon gorgeous, Faith will bring forth the seeds unlistenable. What do we want Cohort unexpected? Far from the hovels where the air is unhealthy and corrupt s'emmiasme away from bureaucratic and literary coteries, we thought, we followed the struggles sterile, so we've imbued with the futility of vain efforts the lyrics are trying. Do not go out that juvenile ardor soon born. Without dogma, without vulgar fasteners must proclaim his word. Believers One belief: idealism, you should walk in off road lights illuminated the day. - "Without Dogma" I said, it takes one, however: pure idealism.
Art idealist is possible. Why?
Here:
Realism, that's life, but that's life without depth, describing the clothing of an individual, the shade of a tie, it 's we must speak of a soul, the presentation of an instinct, like Zola, wanting to show the soul of crowds, something non-existent, since the soul is purely individual and any community becomes instinctive. Here comes a definition of the soul: the soul is the reasoning part of the individual. In this statement, the reader will see intelligence : error. The latter is the passive pole of the understanding the human mind is divided in two: the soul and intelligence, the first may vibrate through his own strength, while the second is that so emotional that impressed by the soul. One can live without meaning, the other can not exist qu'adjuvée by them, one expresses the relationship between man and God, the other the relations of man with man. But the reasoning is personal: it does not occur during the same time, across the world in two brains different human two arguments identically similar. Therefore the soul of crowds is a silly expression (3). And any expression of the Word does not mean a state of mind is useless.
must give words the meaning which was attached to make himself understood, if we had aspired to the title of realistic. Again, those called by that name today are imperfect workers: they describe the outer shape; the idealist, the psychologist will speak about the spirit of the insubstantial part, in other words, the existing reality of the individual, since the material moves only through communication animistic. We are not, I presume, to demonstrate the existence of the Spirit , we do not address ourselves here to the arrears of 1830. The flat Metaphysician higher still since he speaks of things dreamed. Achieving our visions, more aubalement even more intangible.
Words Renaissance Regeneration have too often been imposed for that we register them ahead of the publication, yet the era is full of aspirations and youthful sound, and it was a time when the artistic exuberance proved , zero was not more favored than this: it is now struggles, and also one of the paradoxes, those who showed the decline, the youth responded with strong and works great. No, Art is not dead, because he can not die, he is overwhelmed and full of nuts who knew emphasis rays pierce their pale lanterns mists drowsiness collected. The awakening will be great and the Future opens great, but far from us boast of ancestral colors, we need to reveal new wonders. Certainly a sacred respect for the souls n'indiffére high point in front of the relics of the profound Past; to him that we opened the doors of the Temples superhuman, kneeling to him our admiration But also that efforts are misunderstood point. It is a pyramid of youth who gets up and wants to live, each man must draw the statue of his pride in front of the barbarians iconoclastic, it is the task of criticism, the powerless, to laugh in front of marmoreal visions. You have to go, serene in the midst of blasphemy among the indifferent crowd and often vile, must proclaim His Word, no matter unlistenable! Full of disdain for the multitudes sterile, the Artist must walk the path of mystery, he must work for his brothers mind: those who understand the Apocalypses the future is promised eternal halo, the other nothing. The work should not discuss, discuss it slow walking, working to sow his thought, should lay the seeds of triumphant splendor, heedless of welcomes: he is the great sower of worlds.
Because the days of the blessed hopes vermilion, while vaguely Dreams germinated in a deep and strange desire to watch more spectrally glories yet, because I ran the Pure, the Calm and Strong, incorrompus the atmosphere of an August and dignified Word, we walked, precursors and hero, full of pride that drives us.
Untouchables and haughty, yet we walk, we walk towards the Idea holy through the brutal and monsters. Duties of Intellectuals blessed we avenge blasphemy August and we will reveal the germ bubble. Among the white lilies of gardens full of gold, we will pick the mystic symbols alliances scented - to preserve and restore the Word Rites.
And this, because it should be.
Albert Fleury.
(1) We will deal with them.
(2)
La Plume (3) We will later analysis engines of the crowd.
Bibliographies of reviews in Livrenblog :
Journal The Image complete bibliography and illustrated .
Bibliography of the journal The Belfry (Part 1) , (Part 2) , (Part 3) , (part 4) . Bibliography
Ad and the complete log Pierrot (Part 1) , (Part 2) , (Part 3) , (part 4) .
Review Palladian January to October .
The Contemporaries A. Le Petit F. Champsaur .
Journal of Literature and Art s 1867-1868.
Review Matins. 1897-1898.
Bamboo , illustrated bibliography.
The Carillon. 1893-1894
Art Journal . 1896-1897.
The Sheaves. Bimonthly literary magazine. 1905 - 1906 .
Fire , Marseille, 1905-1906.
Red Rose , 1919 . Cendrars, Salmon, Carco .
The Journal Contemporary , Lille. 1900 - 1902
The Thyrse . 1897.
City Art and Art and Action . 1898 to 1899.
The Modern Idea 1894-1895.
Le Nouvel Echo 1892-1894.
Modern Poetry, 1882 .
The Basoche 1884-1886.
Dawn South 1898-1899.
The Elan Literary 1885-1886.
0 comments:
Post a Comment